Posted by: aediculaantinoi | June 17, 2013

Suibhne Geilt

“Suibhne Geilt” by Michael Quirke, wood carving, 2012; commissioned by Erynn Rowan Laurie

Suibhne Geilt

Shout and scowl, you hopping heads:
I have been cursed by a saint,
doomed to dwell with bleak madness
naked amidst the chirping birds–
from tree to branch–not fly, LEAP!
and in the distance, a bell.

Fury-inducing, ringing bell
echoes across the rivers’ heads;
from a cliff into the sea I’d leap
but death would flee, by that damned saint–
instead, I make my nest with birds
in the woods of shadowed madness.

THe valley resounds with great madness
where boughs against rock walls are a bell
and even the air above lacks birds
amongst a mob with crazy-cracked heads
from blood and terror or curséd saint…
into this glen we have made our leap.

A perilous and steep leap
looks easy in my madness;
warm, safe indoors is the saint
with his insistent loud bell
which sounds in ears across heads
and disturbs the flight of birds.

How simple is the life of birds
who fly with ease and do not leap
from tree tops like green hairy heads;
a gift is this curse of madness,
to flee from tyranny of bell
and scathing words of vicious saint…

It is a curse unknown to the saint
that he lacks the sense of nature’s birds,
more sweet and tuneful than brazen bell;
I watch stags and does play, and they leap
with joy I have not seen in madness–
I envy the antlers on their heads!

Pray, you saint, and ring your bell;
sing, you birds, ‘cross fields you leap–
I, in madness, have gained more heads.

Curse of the saint gives me madness,
dog and goat heads and wings of birds
cause me to leap at sound of bell.

May a blesséd saint I find with leap
amidst the birds, away from madness:
his clear-ringing bell a balm for heads.

Posted by: aediculaantinoi | June 17, 2013

Suibhne’s Festival (a.k.a. GeiltFest ’13!)

suibhne

As I explained last year, today is the feast of Suibhne, the king of Ireland who became a geilt (“wild-man”) and had a few tries at being re-integrated into society. Ultimately, unfortunately, this didn’t work, and he was killed in an awful misunderstanding that demonstrates how badly society still views people with disabilities (mental or otherwise), artists, and other “volatile” beings…

While there are many things which one might conclude from this festival, or take as possible significances and legacies from Suibhne’s life (apart from his poetry), I am reminded today of how often some of these matters are on a kind of continuum. There is the old Irish adage about seeking wisdom can only result in poetry, madness, or death…are these three things all species of one another? Perhaps…

But, for my own self, I’m reminded of how Suibhne went from madness to poetry, and doing so lessened his madness. For myself today, I went from poetry (or, at least, writing–I wrote a piece of fiction this morning in its entirety, which I’ve been planning for months, and been leading up to for the last few weeks in particular with further thought and research) to madness…not only do I have a headache and feel slightly askew with the wider world, but my perceptions are a bit off and my stability for even the simplest things is not as solid as one would prefer. If I were home and doing nothing, safe within reach of my shrine, I wouldn’t worry too much; but, I’m at college, and have my final class in a few minutes. (Luckily, I don’t have to “teach” per se: I’m just collecting their final papers, and listenting to extra credit presentations if anyone wishes to do one.) I suppose this should be a warning to all who write spiritual art pieces while in public–it can lead to bad places if done in a context that has no appreciation nor regard for such things! :/

I shall be back later to write our day’s hero a poem, and perhaps the wooziness will have subsided somewhat by then…if not, perhaps it will lead to better poetry, with any luck.

Posted by: aediculaantinoi | June 16, 2013

For your delectation…

Today is a secular holiday in the U.S., and while I will be occupied for much of it, I would suggest that you have a look at the blog Eros is Eros is Eros, by Julian Betkowski. I shall be adding it to my blogroll immediately!

While I haven’t read the entirety of what is there yet, I’ve enjoyed all that I’ve read thus far, and I think he’s got some really good ideas to pursue further. Among the various recent posts that may be of particular interest include:

Why Theology is Important, which responds to some discussions between Teo Bishop and Galina Krasskova, and suggests some interesting angles of the utility and necessity for a non-praxis-based theological approach for modern pagans…

A Call for Pagan Theologians, which does more of the same…

Strange Permutations and the Need for Religious Discourse, which brings a further fascinating angle to the recent arguments amongst polytheists and non-polytheists, and puts it down to a very important and useful (and perhaps obvious and thus overlooked) matter: psychology, atheism, popular culture, and other such things are not religion, and thus aren’t relevant to paganism as a religion…

And, much more besides! (Including an interesting take on PantheaCon, which has me all kinds of curious about several things…!) So, go have a look!

Posted by: aediculaantinoi | June 15, 2013

Is There An Exorcist In The House? Apparently, Yes…?!?

Because I recently read Lon Milo DuQuette’s Low Magick, I’m going to blame the following dream I had this morning on him–because, in his view, he had the dream because I had the dream, because his head is that big… (While I can certainly fill up a fez, my head is never THAT big!)

So, I can’t quite remember the beginning of it, but it had a kind of Alfred Hitchcock-like feel to it, down to someone saying at one point that it was reminiscent of Psycho (though I never saw that, or its remakes or sequels). Basically, there was a female demon or spirit that was haunting a house, and it did so because it had possessed some jacket that was in a garment bag in storage, and then it got taken out and hung up on the back of the laundry room door. There was a kind of shot-by-shot thing where the demon kept making things happen around the area of the door, and the other clothes in the garment bag, and the hangers, etc.

Then, pretty much I had to spring into action and was supposed to perform an exorcism on this demon, and was walking out of some other room toward the laundry room (incidentally, this was not a house I am familiar with, though it resembles a few houses I’ve been in around the Bay Area in a few respects…), and realized when I got halfway there that the demon had already taken over more than half of that floor of the house, and so I started to backtrack. I was doing various star shapes in the air and intoning divine names, including Iao Sabaoth and some of his Hebrew names, but then I started to run out of them. Eventually, I licked both of my palms, stamped them on the door-frame and the door, and “cleansed” the space with “water,” even though it wasn’t pure water, and that seemed to be the threshold beyond which the demon could not make any further advances.

I then had some assistance from Michael Sebastian Lvx, who brought various things into the picture. The demon had somehow done all sorts of things, and built various small shrines and altars (which were more like strange art installations or small “cairns” of pillows and other objects than altars as such) within the rooms that it had overrun. I can’t quite remember how it worked, but I had some sort of glove that I kept striking, and was invoking the names of (in this order) Antinous the Liberator, Antinous the Navigator, Antinous the Lover (although I questioned why I did this one as I was doing it), and then Hadrian, Polydeukion, and I think I started to do Paneros of the Tetrad++ Group, and then I stopped. What seemed to be happening in the meanwhile is that the female demon had taken physical form, and was then trying to talk us out of doing anything further to her. Michael had a whole bunch of “magical tools” in this somewhat-triangular but very long bundle, which had some flags on it, and I was turning it around and around, pointed at him, so that the demon wouldn’t overtake him.

Then, various little images and objects that she had created were on one of the “altars,” and I started picking them up. They were of various actual precious metals, like gold and silver, and we started destroying them with a knife, cutting into them (which was extremely easy) and poking holes in them. They were the “typical” objects one would associate with one’s typical theatrical or cinematic demon–little diabolical-looking goat heads, sigils of various sorts, etc. Michael assured me that afterwards, we’d take all of the objects and melt them down and then trade them in for “real money.” (Imagine that…if only it were so easy!) As we did this, there were several points at which we invited the demon to go back to whatever underworld it had come from, because as we did this (though it was no danger whatsoever to us), we had opened portals to the underworlds through which it could escape. And, one of them looked like this:

(That image actually was in something I read yesterday online…I won’t say what it is just now [maybe later, if someone asks, and you're very good!], but anyway…!?!)

Eventually, we kept this up, and the demon was just gone. So, I guess, in its own strange and not-very-cinematically-climactic-or-satisfying fashion, we exorcised the demon. Success, I suppose…?!?

Exorcism has been a topic of discussion of late, for a variety of reasons. Perhaps this was a kind of dress rehearsal in dreamspace for such an event…

Posted by: aediculaantinoi | June 15, 2013

VI Vestalia

As our festival for Vesta comes to a close, I offer the following poem.

Vestalia

O Dea Vesta, goddess of the formless fire,
present in every flame visible to the eye:

I have no focus, no hearth of my own,
no place to invite you, O Goddess, into my life.

I pray that you may help to clear the way
for me to have such a shrine to you,

that I may move the flame I bear for you
from my heart to the visible fire amidst stones.

May all who walk upon the earth
have the safety of your warmth every night,

and may all who already have a place for you
honor you, and manage their fires prudently.

Oldest in Greece, youngest in Rome,
great goddess Vesta, all praises to you!

Posted by: aediculaantinoi | June 14, 2013

Naukrateia: The Greek Gods in Egypt

While it is still a week away in Neos Alexandria, here at the Aedicula Antinoi (as explained here), today is Naukrateia. The NA calendar describes the festival as follows:

This festival celebrates the founding of Naukratis by Pharaoh Amasis and the bringing of the Greek gods to Egypt. Begin by making offerings and libations to Amasis. Then carry images of the gods of Naukratis–Apollon, Hera, Zeus, Aphrodite and the Dioskouroi–in procession and set them up in their shrines. Offerings are given to them, starting with earth and water to represent their reception in the land of Egypt. Then pour out libations of milk, oil and wine and make offerings of local produce. Pray for them to bless the land and to protect their followers however far from home they may have traveled.

The Greek Gods in Egypt

Amasis consulted the oracle of Wadjet,
whom the Greeks would call Leto:

“Invite the Greeks to the Nile’s banks.”
But what gods would welcome them?

The Two Sobeks came forth first
to welcome two from amongst the Greeks,

never far apart even in life and death:
Kastor and Polydeukes, the Dioskouroi.

Ammon and Mut would rule as consorts
in the city where the Greeks would settle,

and Zeus and Hera were the names
by which the Greek citizens would know them.

Hathor and Horus would likewise be
the sun’s rays at the ready to strike–

but the Greeks in time revered them
as Aphrodite and Apollon in peace.

Bast would be honored for her role
in the city where the oracle was given,

and the Greeks would call her Aelurus;
and from where the Nile would burst forth

in time, the Egyptian Satis would be called
Hera, mother of Hestia amongst the Greeks.

The gods and goddesses themselves were amazed
that both Greek and Egyptian stood face-to-face

and yet each nation preferred to see only
their own name as the face of the deity.

To the Greeks, the sphinx a riddling woman,
and to the Egyptians, the sphinx a protective man.

In the streets of Naukratis a drama
of the fable-teller Aesop’s companion in slavery

and the poetess Sappho’s brother would play out
over Rhodopis, the fairest daughter of Thrace.

In time, Serapis predicted, would come
another whose face would be filled with gods,

whose city, Antinoöpolis, would be the daughter
of Naukratis under Hadrian’s rule of the Two Lands.

May the gods of the Two Lands of Egypt
and the many cities and islands of Greece

remember their people, and may their people
celebrate their gods in every land!

Posted by: aediculaantinoi | June 13, 2013

(Late) For Matralia

To Leukothea

Fair Ino, aunt to Dionysos, besieged by Hera,
I sing your praises as the white sea goddess:

Of blackest depths in the raging oceans
the color of Ceto, mother of monsters;

and Eurybia, ancient sovereign of seas,
the ocean’s blackness under night’s sky;

Thalassa of old, great and grey
brings forth the first stirrings of fish;

Tethys the titaness, blue brine her color
when the sea gives birth to its bounty;

and Thetis, good goddess, green is she
when the ocean flourishes in liquid life;

but only Leukothea, the white woman of waves
appears as the crown of the surging sea.

A distant sister started out human, like her,
Helle, the water that connects rather than divides.

And Ino did not stint in sharing her divinity
with her son, innocent Melikertes, in her plunge,

for Amphitrite had pity on them, and petitioned
her husband Poseidon to make them divine.

Ino became Leukothea, Melikertes Palaimon,
and their wardrobe would be of kelp thereafter–

their horses were dolphins, their lions seals,
their jewels shells, their crowns coral;

whales were their cattle, and sharks their hounds,
their snakes were eels, their birds rays and skates.

Her favor to Odysseus, adrift and near dead,
was her veil that kept him alive and afloat.

Since then, humankind has only seen her veil,
but her bright white hair sometimes shows through

on the surface of the shifting plains of Poseidon,
the sea which is sister to the white moon of night.

In my fall, do not adopt me as your child,
and in my faltering, do not drown me to death;

let your veil be given to those deserving of life
who come to your embrace like young Melikertes.

Leukothea, living mother of ocean’s lifeforce,
look not poorly upon us for our pollutions;

Ino of innocent suffering under Hera,
do not drive humans mad with mischief.

May we sing your songs when whales have fallen
and dolphins drift out of memory’s main.

Leukothea, lady of the white waters,
let us come safely to our home ports.

Z33_8Leukothea

Posted by: aediculaantinoi | June 13, 2013

V Vestalia

No, the subject line of this post should not be “V for Vestalia,” although it very well could be…

Vestalia actually starts on June 9th, and runs through the 15th, so today is the fifth day of it. Since there have been various other things going on meanwhile, though, I neglected to mention it, despite having done a bit for it. (I did discuss it along with Finn mac Cumhaill’s day last year, though.)

VestaC

Let’s see what Publius Ovidius Naso has to say about it:

Vesta, favour me! I’ll open my lips now in your service,
If I’m indeed allowed to attend your sacred rites.
I was rapt in prayer: I felt the heavenly deity,
And the happy earth shone with radiant light.
Not that I saw you, goddess (away with poets’ lies!)
Nor were you to be looked on by any man:
But I knew what I’d not known, and the errors
I’d held to were corrected without instruction.
They say Rome had celebrated the Parilia forty times,
When the goddess, the Guardian of the Flame, was received
In her shrine, the work of Numa, that peace-loving king,
(None more god-fearing was ever born in Sabine lands.)
The roofs you see of bronze were roofs of straw then,
And its walls were made of wickerwork.
This meagre spot that supports the Hall of Vesta
Was then the mighty palace of unshorn Numa.
Yet the form of the temple, that remains, they say,
Is as before, and is shaped so for good reason.
Vesta’s identified with Earth: in them both’s unsleeping fire:
Earth and the hearth are both symbols of home.
The Earth’s a ball not resting on any support,
It’s great weight hangs in the ether around it.
Its own revolutions keep its orb balanced,
It has no sharp angles to press on anything,
And it’s placed in the midst of the heavens,
And isn’t nearer or further from any side,
For if it weren’t convex, it would be nearer somewhere,
And the universe wouldn’t have Earth’s weight at its centre.
There’s a globe suspended, enclosed by Syracusan art,
That’s a small replica of the vast heavens,
And the Earth’s equidistant from top and bottom.
Which is achieved by its spherical shape.
The form of this temple’s the same: there’s no angle
Projecting from it: a rotunda saves it from the rain.
You ask why the goddess is served by virgins?
I’ll reveal the true reason for that as well.
They say that Juno and Ceres were born of Ops
By Saturn’s seed, Vesta was the third daughter:
The others married, both bore children they say,
The third was always unable to tolerate men.
What wonder if a virgin delights in virgin servants,
And only allows chaste hands to touch her sacred relics?
Realize that Vesta is nothing but living flame,
And you’ll see that no bodies are born from her.
She’s truly a virgin, who neither accepts seed
Nor yields it, and she loves virgin companions.
I foolishly thought for ages that there were statues
Of Vesta, later I learnt there were none beneath her dome:
An undying fire is concealed with the shrine,
But there’s no image of Vesta or of fire.
The earth’s supported by its energy: Vesta’s so called from ‘depending
On energy’ (vi stando), and that could
be the reason for her Greek name. But the hearth (focus)
is named from its fire that warms (fovet) all things:
Formerly it stood in the most important room.
I think the vestibule was so called from Vesta too:
In praying we address Vesta first, who holds first place.
It was once the custom to sit on long benches by the fire,
And believe the gods were present at the meal:
Even now in sacrificing to ancient Vacuna,
They sit and stand in front of her altar hearths.
Something of ancient custom has passed to us:
A clean dish contains the food offered to Vesta.
See, loaves are hung from garlanded mules,
And flowery wreaths veil the rough millstones.
Once farmers only used to parch wheat in their ovens,
(And the goddess of ovens has her sacred rites):
The hearth baked the bread, set under the embers,
On a broken tile placed there on the heated floor.
So the baker honours the hearth, and the lady of hearths,
And the she-ass that turns the pumice millstones.
Red-faced Priapus shall I tell of your shame or pass by?
It’s a brief tale but it’s a merry one.
Cybele, whose head is crowned with towers,
Called the eternal gods to her feast.
She invited the satyrs too, and those rural divinities,
The nymphs, and Silenus came, though no one asked him.
It’s forbidden, and would take too long, to describe the banquet
Of the gods: the whole night was spent drinking deep.
Some wandered aimlessly in Ida’s shadowy vales,
Some lay, and stretched their limbs, on the soft grass.
Some played, some slept, others linked arms
And beat swift feet threefold on the grassy earth.
Vesta lay carelessly, enjoying a peaceful rest,
Her head reclining, resting on the turf.
But the red-faced keeper of gardens chased the nymphs
And goddesses, and his roving feet turned to and fro.
He saw Vesta too: it’s doubtful whether he thought her
A nymph, or knew her as Vesta: he himself denied he knew.
He had wanton hopes, and tried to approach her in secret,
And walked on tiptoe, with a pounding heart.
Old Silenus had chanced to leave the mule
He rode by the banks of a flowing stream.
The god of the long Hellespont was about to start,
When the mule let out an untimely bray.
Frightened by the raucous noise, the goddess leapt up:
The whole troop gathered, and Priapus fled through their hands.
The people of Lampsacus sacrifice this animal to him, singing:
‘Rightly we give the innards of the witness to the flames.’
Goddess, you deck the creature with necklaces of loaves,
In remembrance: work ceases: the empty mills fall silent.
I’ll explain the meaning of an altar of Jove the Baker
That stands on the Thunderer’s citadel, more famous
For name than worth. The Capitol was surrounded
By fierce Gauls: the siege had already caused a famine.
Summoning the gods to his royal throne,
Jupiter said to Mars: ‘Begin!’ and he quickly replied:
‘My people’s plight is surely unknown,
A grief that needs a voice of heartfelt complaint.
But if I’m to tell a sad and shameful tale in brief,
Rome lies under the feet of an Alpine enemy.
Jupiter, is this the Rome that was promised power
Over the world! Rome, the mistress of the earth?
She’d crushed the neighbouring cities, and the Etruscans:
Hope was rampant: now she’s driven from her home.
We’ve seen old men, dressed in embroidered robes
Of triumph, murdered in their bronze-clad halls:
We’ve seen Ilian Vesta’s sacred pledges hurried
From their place: some clearly think of the gods.
But if they look back at the citadel you hold,
And see so many of your homes under siege,
They’ll think worship of the gods is vain,
And incense from a fearful hand thrown away.
If only they’d an open field of battle! Let them arm,
And if they can’t be victorious, let them die.
Now without food, and dreading a cowardly death,
They’re penned on their hill, pressed by a barbarous mob.’
Then Venus, and Vesta, and glorious Quirinus with auger’s staff
And striped gown, pleaded on behalf of their Latium.
Jupiter replied: ‘There’s a common concern for those walls.
And the Gauls will be defeated and receive punishment.
But you, Vesta, mustn’t leave your place, and see to it
That the bread that’s lacking be considered plentiful.
Let whatever grain is left be ground in a hollow mill,
Kneaded by hand, and then baked in a hot oven.’
He gave his orders, and Saturn’s virgin daughter
Obeyed his command, as the hour reached midnight.
Now sleep had overcome the weary leaders: Jupiter
Rebuked them, and spoke his wishes from holy lips:
‘Rise, and from the heights of the citadel, throw down
Among the enemy, the last thing you’d wish to yield!’
They shook off sleep, and troubled by the strange command,
Asked themselves what they must yield, unwillingly.
It seemed it must be bread: They threw down the gifts
Of Ceres, clattering on the enemy helms and shields.
The expectation that they could be starved out vanished.
The foe was repulsed, and a bright altar raised to Jove the Baker.
On the festival of Vesta, I happened to be returning
By the recent path that joins the New Way to the Forum.
There I saw a lady descending barefoot:
Astonished, I was silent and stopped short.
An old woman from the neighbourhood saw me: and telling
Me to sit, spoke to me in a quavering voice, shaking her head:
‘Here, where the forums are now, was marshy swamp:
A ditch was wet with the overflow from the river.
That lake of Curtius, that supports the altars un-wet,
Is solid enough now, but was a pool of water once.
Where processions file through the Velabrum to the Circus,
There was nothing but willow and hollow reeds:
Often some guest returning over suburban waters,
Sang out, and hurled drunken words at the boatmen.
That god, Vertumnus, whose name fits many forms,
Wasn’t yet so-called from damning back the river (averso amne).
Here too was a thicket of bulrushes and reeds,
And a marsh un-trodden by booted feet.
The pools are gone, and the river keeps its banks,
And the ground’s dry now: but the custom remains.’
So she explained it. I said: ‘Farewell, good dame!
May whatever of life remains to you be sweet.’
I’d already heard the rest of the tale in boyhood,
But I won’t pass over it in silence on that account.
Ilus, scion of Dardanus, had founded a new city
(Ilus was still rich, holding the wealth of Asia)
A sky-born image of armed Minerva was said
To have fallen on the hillside near to Troy.
(I was anxious to see it: I saw the temple and the site,
That’s all that’s left there: Rome has the Palladium.)
Apollo Smintheus was consulted, and gave this answer
From truthful lips, in the darkness of his shadowy grove:
‘Preserve the heavenly goddess, and preserve
The City: with her goes the capital of empire.’
Ilus preserved her, closed in the heights of the citadel.
The care of it descended to his heir Laomedon.
Priam failed to take like care: so Pallas wished it,
Judgement having gone against her beauty.
They say it was stolen, whether by Diomede,
Or cunning Ulysses, or taken by Aeneas:
The agent’s unknown, but the thing’s in Rome:
Vesta guards it: who sees all things by her unfailing light.
How worried the Senate was, when Vesta’s temple
Caught fire: and she was nearly buried by her own roof!
Holy fires blazed, fed by sinful fires,
Sacred and profane flames were merged.
The priestesses with streaming hair, wept in amazement:
Fear had robbed them of their bodily powers.
Metellus rushed into their midst, crying in a loud voice:
‘Run and help, there’s no use in weeping.
Seize fate’s pledges in your virgin hands:
They won’t survive by prayers, but by action.
Ah me! Do you hesitate?’ he said. He saw them,
Hesitating, sinking in terror to their knees.
He took up water, and holding his hands aloft, cried:
‘Forgive me, holy relics! A man enters where no man should.
If it’s wrong, let the punishment fall on me:
Let my life be the penalty, so Rome is free of harm.’
He spoke and entered. The goddess he carried away
Was saved by her priest’s devotion, and she approved.
Now sacred flames you shine brightly under Caesar’s rule:
The fire on the Ilian hearths is there, and will remain,
It won’t be said that under him any priestess disgraced
Her office, nor that she was buried alive in the earth.
So the unchaste die, being entombed in what they
Have violated: since divine Earth and Vesta are one.
This day Brutus won his title from the Galician foe,
And stained the soil of Spain with blood.
Surely sadness is sometimes mixed with joy,
Lest festivals delight the crowd’s hearts completely:
Crassus, near the Euphrates, lost the eagles, his army,
And his son, and at the end himself as well.
The goddess said: ‘Parthians, why exult? You’ll send
The standards back, a Caesar will avenge Crassus’ death.’

So, quite a lot there!

I’ll post a poem for Vesta (which will not count for the Turning Theological Lemons Into Devotional Lemonade activities!) on VI Vestalia this coming Saturday; and meanwhile, a few other things to come…

Ave Vesta Magna Dea!

Posted by: aediculaantinoi | June 12, 2013

(For Rhodophoria) Tiburtine Aphrodite

Tiburtine Aphrodite

When he had prayed to Aphrodite Ourania in Thespiae
he did not mince his words, but stated his wishes plainly;

but, in the endless circles of his Villa’s constructions
a decade later he had her image installed, modest.

The locals would call her “Venus,” but he preferred
the name of the goddess from Greek lands

(the name that Antinous always used for her),
from when she first rose from the foam, unashamed.

As in Knidos, her temple could be approached
from every side, her form seen in front and back,

for no angle upon her flesh, no curve nor crevice
was less sacred than any other part of her.

But even the deathless immortals have their secrets,
their times of silence, their withholding of vision,

and without Antinous, so it seemed, Aphrodite held back
the free flow of her blessings on the Villa’s Dominus

A fitting reminder, a principle well kept in thought
for those wishing to do right under the gods.

Aphrodite of Tibur, of Knidian descent,
cover us with your blessed hand, not in shame,

but in reserve, so that we may receive your gifts
more gratefully when you grant them in the future–

and do not stint in hearing our prayers
for your favor and for the pleasures

of love unbounded, of flesh uncovered,
and of sweetness like roses showered upon us.

As Hadrian prayed, to too may I pray today;
as crimson roses unfold, may your glory be revealed!

Aphrodite2

Posted by: aediculaantinoi | June 12, 2013

(Late) For Alexander

For Alexander

His arms outstretched, his hands open
across the sides of the bier
as he was carried by an army
of the servants of Asklepios

gold and silver strewing the path
as if it slipped from his generous grasp
to be taken up by passersby
all the more greedily by the avaricious

the one who had gathered the gold
faster than Hyperborean gryphons
with claws as deadly and wings as swift
was now no longer a living mortal

and all there watched him pass by
helplessly, as fast as he had passed
through this life…there would never be
another upon the earth like him–

many would try, few would come close,
but all would fail to shine as brightly
as the son of Philip and Olympias,
Alexander, for whom “Great” does no justice.

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